Portfolio > 2011-2014

Bowl of Bowls
earthnware
2011
Eleven
Earthenware
16" x 16" x 5"
2011
Untitled
porcelain
16" x 16" x 12"
2011
At Work
earthenware
13" x 9" x 5"
2011
Leaning
porcelain and earthenware
6.5" x 11" x 4"
2011
Evening
porcelain
8" x 2.5" x 13"
2011
Morning
porcelain
10" x 2" x 10"
2011
Onset
earthenware
6" x 2" x 9.5"
2011
Moving On
porcelain and earthenware
4.5" x 2" x 5"
2011
Modern Life
porcelain
7" x 1" x 7"
2011
Joy
porcelain and earthenware
8" x 2" x 10"
2011
Rolling
porcelain and earthenware
5.5" x 3" x 5"
2011
Surprise
porcelain and earthenware
4" x 1" x 4" (each segmant)
2011
Janus
porcelain and earthenware
9" x 11" x 4"
2011
Balance
Porcelain
9" x 1" x 4.25"
2012
Our Differences Make Us Who We Are
poreclain and stoneware
5" x 1.5" x 4" each
2013
Worship
porcelain and earthenware
5" x 3" x 3.75"
2013
Inner Differences
stoneware
4" x 2" x 8"
2013
Inner Differences II
stoneware
9.5"x2.5"x7.5"
2013
Resting
stoneware
6" x 3" x 4"
2013
Where Next?
porcelain and stoneware
15" x 3" x 3"
2013
Once Was/Will Be
stoneware
11"x5"x4"
2013
Utopia or Dystopia
Porcelain
2013
Becoming One
Porcelain
4.5'x1"x1.5'
2013
Surprise
stoneware and porcelain
10"x2.25"x10"
2013
Simple Complexity
earthenware, stoneware and porcelain
10"x2.5"x3.5"
2013
Variations on Simplicity
earthenware
11.5"x 5"x4"
2013
A Study on Structure
earthenware, porcelain, string
Let's go
earthenware and pocelain
3.5'x1"x16"
2013
Strength of Mind
porcelain
18"x3"14.5"
2013
Earth Plates
earthenware, electric cone 1
Large plate- 11" x 11" x 1" Small plate- 8.5" x 8.5" x .75" Cup- 2.5" x 2.5" x 8
2012

How do individuals enter communities? How do they leave them? Do past experiences dictate how we relate to others, to bring others up or tear them down? I am intrigued by these questions and am especially interested in how do we as individuals hold and support each other in times of joy and in times of hardship.

For me my forms of clay are as individuals, interacting with themselves, each other and the greater whole- the community. Sometimes it is important to see their inner workings, and forms within forms are conveyed; other times it is less important, and the imagery is stripped to its minimal structure. This work shows individuals supporting and holding each other, or how those who are seemingly different can interact and create a relationship. Other times, it shows what happens when the support that once was there is crumbling or absent. Certain relationships hold people close and touch us intimately; others are distant and support from afar; others, not at all. All have an impact on the story of who we are.

Themes of movement, instability, and balance affect the orientation of the work, creating tension. The world is in full motion, in a state of flux. It’s always a balancing act, and we seek support for stability in a potentially unstable world.

Touch is paramount for my artistic expression. The care that goes into pinching clay--a slow, simple, process-oriented technique, one that is rudimentary and yet sophisticated, is similar to the care of building and maintaining relationships. The irregularity and personality that each mark creates, brings attention to how each person is similar and different. The simplicity of my compositions gives the observer the opportunity to take notice of the small details: the space between slabs of pinched clay, or what happens when multiple balls are pushed against each other.

Word association artist statment.

Connection. Process. Community. Holding. Love. Security. Relationships. Circles of Trust. Acquaintances. Trust. Pinching. Quiet. The space between. Holding on/letting go. Movement. Balance. Elegance. Stories. Stacking. Holding. Security. Intimacy. Reflection. Contrast. Time. Earth.